How a Photographer Stumbled Upon a Key Picture of the Spain Train Crash
AI Summary
A photographer for *The New York Times* was dispatched to Adamuz, Spain, following a deadly train crash. Arriving 22 hours after the collision, the photographer focused on documenting the scene, as most victims had already been evacuated. The photographer aimed to provide visuals to accompany reporting on the disaster, where the cause of the crash remained unknown. While seeking views of the wreckage, the photographer captured an image of train undercarriage that could potentially offer clues to the cause of the accident. The photographer's role was to document the scene and contribute to accurate reporting, while being mindful of the sensitivity surrounding the tragedy.
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This article was automatically classified using rule-based analysis. The political bias score ranges from -1 (far left) to +1 (far right).
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