A theater is reimagining
Homer’s Odyssey through the agony of
Ukraine’s war 1 of 5 | Actors perform their final rehearsal of “
Odyssey. Maeotis,” which reimagines
Homer’s epic, at
Ivan Franko theater in
Kyiv, Tuesday, Aug. 25, 2026. (AP Photo/Francisco Seco) 2 of 5 | Ukrainian actress
Daryna Leheida, who plays Penelope, performs during the final rehearsal of “
Odyssey. Maeotis,” which reimagines
Homer’s epic, at
Ivan Franko theater in
Kyiv, Tuesday, Aug. 25, 2026. (AP Photo/Francisco Seco) 3 of 5 |
Daniil Mireshkin,
Ukraine-national-guard-first-corps-azov" class="entity-link entity-organization" data-entity-id="195118" data-entity-type="organization">
Ukraine National Guard First corps Azov serviceman, and actor, plays the part of warrior king Odysseus, is held by another actor as they perform their final rehearsal of “
Odyssey. Maeotis,” which reimagines
Homer’s epic, at
Ivan Franko theater in
Kyiv, Tuesday, Aug. 25, 2026. (AP Photo/Francisco Seco) 4 of 5 | Ukrainian theater Director
Ivan Uryvskyi poses for a portrait before the final rehearsal of “
Odyssey. Maeotis,” which reimagines
Homer’s epic, at
Ivan Franko theater in
Kyiv, Tuesday, Aug. 25, 2026. (AP Photo/Francisco Seco) 5 of 5 | An actor gets his hair styled backstage before the final rehearsal of “
Odyssey. Maeotis,” which reimagines
Homer’s epic, at
Ivan Franko theater in
Kyiv, Tuesday, Aug. 25, 2026. (AP Photo/Francisco Seco) By
Vasilisa Stepanenko Updated 6:20 AM MESZ, August 28, 2026 Add
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Kyiv,
Ukraine (AP) — War’s timeless ache — death, captivity, the agonizing wait and the pull of home — has found a new stage in wartime
Kyiv, with
Homer’s epic reimagined as a contemporary Ukrainian odyssey. The play “Odysseus, Maeotis” is ready to open in the Ukrainian capital as the ancient tale enjoys a global moment with
Christopher Nolan’s IMAX spectacle and box-office hit “The Odyssey” starring Matt Damon. In
Kyiv, the story is performed by professional actors and active-duty soldiers, including
Daniil Mireshkin, a serviceman who plays the warrior king Odysseus “I think this combination of myth and modernity allows us to draw parallels and understand just how critical the question of return is: the return of military personnel to civilian life, the return of our territories and the return of ourselves to our true identity as Ukrainians,” Mireshkin said. The actor spoke to The Associated after a final rehearsal Tuesday, ahead of a premiere that has been repeatedly delayed due to successive Russian attacks. “This story helps us talk about these topics, which, as it turns out, haven’t lost any of their relevance,” Mireshkin said. The staging at the Ivan Franko National Academic Drama Theater is designed to be austere and unsettling. Against a darkened set laced with neon light bars, projections wash over the actors themselves. The monsters of the original — the Cyclops and the sirens — are replaced by drones that buzz across the stage and models of robotic war machines. Russia bombards
Kyiv and other cities in onslaught testing
Ukraine’s defenses 5 MIN READ Russian drones kill a woman and 9-year-old son at home as Ukrainian civilian casualties surge 3 MIN READ Zelenskyy visits Moscow-friendly Serbia as Russian attacks on
Kyiv region kill 4 3 MIN READ The play unfolds in parallel: Odysseus’ punishing journey and the long wait at home by his wife, Penelope. Director
Ivan Uryvskyi is candid about how the play recasts the ancient poem’s themes of return and those trapped in exile and captivity. “Of course, very little of
Homer’s original text remains here, because the play was written from scratch. We simply took the core narrative arc — Odysseus’ return home,” he said. An additional Greek reference is carried in the play’s title: “Maeotis” is an ancient name for the Sea of Azov, taken from the people who lived along its shores, a place once considered to be the edge of the known world. The sea is home to Mariupol, the port city seized by Russia after a 2022 siege, and the play is based on accounts by its defenders from the Azov brigade, now part of the 1st Corps Azov — a part of the National Guard of
Ukraine. Mireshkin, the lead actor, and playwrite Oleksii Dorychevskyi are members of the 1st Corps Azov. Dorychevskyi drew on a year of interviews with former prisoners of war for the production. According to the Corps, an estimated 600 Azov brigade servicemen are among the thousands still in Russian captivity. For
Daryna Leheida, who plays Penelope, the ancient queen’s plight resonates with the stories of women in
Ukraine who wait for loved ones to return. “It’s about the fate of Ukrainian women who wait, believe and hope, but who can also feel powerless, hopeless and stripped of faith,” Leheida said. “It’s about the temporarily occupied land waiting to come back home,” she said. “It’s about the children and people who are waiting, what we face during this waiting and the toll that war takes on us.”