‘Memorias de Adriano’, auctoritas escénica (★★★✩✩)
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La obra "Memorias de Adriano", basada en la novela de Marguerite Yourcenar, se presenta en el Teatre Romea, con Lluís Homar en el papel principal. Esta adaptación, con dramaturgia de Brenda Escobedo y dirección de Beatriz Jaén, se diferencia de la versión de 1998, transformándose en un monólogo atemporal. La puesta en escena se centra en la figura de Homar, cuya actuación es considerada central para sostener la obra. El resto del elenco, aunque presente, adquiere un papel secundario. La escenografía, un plató-despacho-tanatorio, busca establecer paralelismos con figuras políticas contemporáneas, aunque algunos elementos visuales son criticados por resultar artificiosos.
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Key Claims (5)
AI-ExtractedThe version of Maurizio Scapparo shares the translation of Julio Cortázar from the novel by Marguerite Yourcenar.
Lluís Homar assumes that weight with the scenic auctoritas that is his own and essential to sustain this staging.
The version of Maurizio Scapparo connected with a popular imaginary educated in the historical novel by the miniseries Yo, Claudio.
The staging situates the emperor's retrospective reflections in the indiscreet backstage of contemporary politics' image rituals.
The best part of the show appears in the balance between an actor and a dancer, in the mirror between word and body.
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