NAZA: Why are old Gaza allegations causing new fury in Israel?

Israeli soldiers’ Gaza testimony causes backlash across much of the country’s political establishment.Published On 19 Sep 2026Israel’s bitter political divisions are particularly sharp before the country’s October elections. But the furious response to a new documentary about the military’s actions in the genocidal war on Gaza has revealed an issue that much of Israel’s political and media establishment appears united on.Few of the central allegations in NAZA, made by Israeli filmmakers Yuval Abraham and Rachel Szor, are new. Reports that the Israeli military was relying on Artificial Intelligence systems to generate targets in Gaza, often killing the inhabitants of entire buildings to kill just one individual identified by the system, were reported in April 2024.Recommended Stories list of 4 itemslist 1 of 4Israel weaponises AI for West Bank demolitionslist 2 of 4Netanyahu threatens to revoke Israeli citizenship of NAZA filmmakerslist 3 of 4Jerusalem Daily: Israelis protest outside ‘NAZA’ filmmaker’s homelist 4 of 4Israel would rather not watch NAZAend of listOther accusations against Israel, such as committing genocide, deliberately causing a famine, and unlawfully killing children, have also not received much attention in Israel.In contrast, NAZA has unleashed a litany of abuse from across Israel, and brought the allegations to the centre of Israel’s political debate.Culture Minister Miki Zohar reacted to the film’s premiere at the Venice Film Festival – where it received a 25-minute standing ovation – by calling for the directors to be stripped of their citizenship and to be investigated by the internal intelligence service for treason.Army chief Eyal Zamir has dismissed the film as being built on blood libel and ordered a legal probe to hunt down its military and intelligence sources.Prime Minister Benjamin Netanyahu also cited the film when advancing legislation to revoke citizenship from anyone deemed to be smearing the country’s soldiers, while in the coastal city of Ashdod, graffiti branding the directors “traitors” has appeared on the walls.“You can’t really understand the extent of the madness from outside of the country,” Orly Noy, an editor at Local Call, which first carried many of the accusations contained in the film, said. “They’re attacking the friends and families of [the filmmakers] Yuval Abraham and Rachel Szor. They’re talking about revoking their citizenship. They’re asking the Shin Bet to investigate them – for making a film, and it isn’t just the politicians. Journalists, who you might expect to show some kind of solidarity with them, are competing to attack them. It’s scary.”